“I started with this organ sound on a really old ’80s synth. Then Charles Scott IV brought in his bass, and every time we were adding more and more stuff it was getting closer to this particular feeling that I wanted. There’s nothing like this feeling of translating something that’s in your DNA, part of who you are energetically, coming out in music. Like it matches a thumbprint inside of you.”
‘Bat For Lashes conducts seance in the desert’
Visit our case study for the full story on the Lost Girls album campaign created by Natasha Khan & Lief.